Showing posts with label comments. Show all posts
Showing posts with label comments. Show all posts

Thursday, November 20, 2014

Comments on The Quest of Iranon

Do not read this post if you have not read the story.

A couple years ago I read The Quest of Iranon and I wrote a lengthy post to comment on it. The Mercurial Iranon, dressed in the royal purple. His journeying through seven lands like the Prince of Aira (transliterated and read right-to-left, that's Old Persian for Persia), the "whirling dancers from the Liranian desert". The Peter Pan-like eternal youth... There were many interesting little tidbits, but not a very compelling story. My comments on these things were longer than Lovecraft's story.

But now I return to that post I drafted so long ago and I find it blank. Nothing but the title. And my memory needed refreshing, so I reread the story. It's a quick read. This time around I was struck by something new.

Iranon's joy and youth are in the memory of his mother and of Aira. There are no fond memories of Iranon's father, the King.

"...my calling is to make beauty with the things remembered of childhood. My wealth is in little memories and dreams, and in hopes that I sing in gardens when the moon is tender and the west wind stirs the lotus-buds." 

 "I remember the twilight, the moon, and soft songs, and the window where I was rocked to sleep. And through the window was the street where the golden lights came, and where the shadows danced on houses of marble. I remember the square of moonlight on the floor, that was not like any other light, and the visions that danced on the moonbeams when my mother sang to me. And too, I remember the sun of morning bright above the many-coloured hills in summer, and the sweetness of flowers borne on the south wind that made the trees sing."

When Iranon finds a very old childhood friend, the friend reminds him his father was no King and Iranon has been chasing a dream of what never was:
"O stranger, i have indeed heard the name of Aira, and the other names thou hast spoken, but they come to me from afar down the waste of long years.I heard them in my youth from the lips of a playmate, a beggar's boy given to strange dreams, who would weave long tales about the moon and the flowers and the west wind. We used to laugh at him, for we knew him from his birth though he thought himself a King's son."
With fantasy shattered, Iranon quickly became what he was.

"And in the twilight, as the stars came out one by one and the moon cast on the marsh a radiance like that which a child sees quivering on the floor as he is rocked to sleep at evening, there walked into the lethal quicksands a very old man in tattered purple, crowned with withered vine-leaves and gazing ahead as if upon the golden domes of a fair city where dreams are understood. That night something of youth and beauty died in the elder world." 

Two months after writing "The Quest of Iranon", Lovecraft's mother died due to complications of a gal bladder surgery. The moon was bright. The flowers were in bloom. And the west wind was blowing.

Friday, December 2, 2011

Comments on The Nameless City

I must admit I found myself bored through most of Lovecraft's short story "The Nameless City". This is an odd thing considering it is the first Lovecraft story to mention the mad poet Abdul Alhazred.

Before Lovecraft was Randolph Carter, he was Abdul Alhazred. In The Nameless City, Alhazred is mentioned along with Damascius and Afrasiab. This makes Alhazred seem real and yet mysterious at the same time. It also hints at Lovecraft's reading habits. Alhazred dreamed of the Nameless City the night before singing his famous couplet:

“That is not dead which can eternal lie,
And with strange aeons even death may die.”


 
This couplet is used later by Lovecraft in his fantastic story, The Call of Cthulhu.

Friday, January 29, 2010

Comments on Ex Oblivione

Although there is not much to Ex Oblivione, we can see again the mixing of death and sleep. There is a type of wall (of sleep) and a gate (of dreams). We also see a main character consulting dream lore.

Wednesday, December 10, 2008

Comments on "From Beyond"

By stimulating the human pineal gland, Crawford Tillinghast succeeded in altering human perception. In so doing he bypassed the lifetimes of meditation that humans usually require to expand their perception to see into other dimensions and times. But as always, the short path threatens madness and death. Just like Beyond the Wall of Sleep, From Beyond contains a great story idea without being a great story.

The pineal gland is associated by some with the third eye and speculations about its function vary greatly, but what is known for certain is that it produces melatonin.

Wednesday, September 17, 2008

Comments on Celephais

I finally got around to making a video with comments on Celephais

Wednesday, March 26, 2008

Comments on The Temple

The Temple introduces the idea of Atlantis and lost islands, cities, and temples. Atlantis may serve as the model for R'lyeh and Irem (the Atlantis of the desert).

I spent more time than I should have poking around in Google Earth looking for the temple. At first it looks like there is nothing out there in the Atlantic because the ocean is all blue in Google Earth, but if you zoom in you see there are islands. Here's a cool little picture I found while looking for the temple:
The original can be found with other pictures of this island HERE.

Saturday, March 15, 2008

Comments on "The Terrible Old Man"

Peter Cannon writes that "The Terrible Old Man" is "little more than a polemic against the intrusion of people he regarded as 'foreigners,' that is, the non-English immigrants who came in the nineteenth century as cheap labor to fill the factories of an increasingly industrialized America."

As stories go, it's not much. But the Terrible Old Man himself is quite a character. He is said to have captained an East India clipper ship. He has a collection of fantastic stone idols in his yard, and he talks to bottles. This last invention is fascinating and a little creepy. The terrible old man sits at a table and talks to bottles and addresses the bottles by peculiar names and nicknames. The bottles seem to respond to the terrible old man by subtle movements of lead pendulums inside the bottles. What a fantastic device.

Even if the story wasn't that deep, the character could be used in other stories, and the pendulum spirit bottles are an inspired prop... and pretty fun to play with.

On a side note, I had to look up a word from this story: messrs.
Messrs. is plural of Mr.

Link:
http://en.wikipedia.org/wiki/The_Terrible_Old_Man

Friday, September 7, 2007

Comments on Ol Bugs

As I started reading Old Bugs I was very excited. I was thinking Lovecraft had written some supernatural fiction based in a seedy alternate reality Chicago. Lovecraft had written Old Bugs in 1919 when the prohibition had just begun. How was he to know the prohibition (at least the one on alchohol) would be short lived? Old Bugs is set in a shady Chicago pub serving whiskey and hash in 1950! Alas, there's no Yog-Sothothery, visions, or odd dreams in Old Bugs. :(

There's mention of the sons of Belial and a cool Latin quote. Those of you wondering, the Latin is an obligatory salute given by gladiators to Caesar.

Sunday, July 1, 2007

Notes on Dagon





The story "Dagon" is the last words of the story's main character.

The main character does not dwell on dreams and visions, but at one point chooses to travel at night in order to avoid dreaming. This aside, the environment and situations of the story suggest dream and vision.

When at last I awakened, it was to discover myself half sucked into a slimy expanse of hellish black mire which extended about me in monotonous undulations as far as I could see, and in which my boat lay grounded some distance away.


The environment is further described and it is difficult to move. This feeling is often described by me as "being stuck in molassess".

The description of the landscape resulting from the upheaval makes me remember other things I've read and seen. Here's a quote from the story:

Through some unprecedented volcanic upheaval, a portion of the ocean floor must have been thrown to the surface, exposing regions which for innumerable millions of years had lain hidden under unfathomable watery depths.

and now read this quote from a sea gypsy caught in an unprecedented upheaval:
"I was taking 12 tourists to a coral reef. Suddenly the water level dropped. I shouted for everyone to get on board. I knew something was really wrong. I raced across the bay, when suddenly, the water dropped to nothing, spinning the boat madly until it was stuck in the sand, on the bottom of the ocean, but there was no ocean. I told the tourists to run, and then the water came back."
- Sarang, a Moken sea gypsy

You can read the full article at http://atimes.com/atimes/Southeast_Asia/GD23Ae03.html

Of the hieroglyphs on the monolith it is stated, "Several characters obviously represented marine things which are unknown to the modern world, but whose decomposing forms I had observed on the ocean-risen plain." Since 1919 we have built subs that have viewed such depths and creatures hard to describe. Here are some URLs that show some strange marine life
http://www.youtube.com/watch?v=70c-g0j5Qcc
http://www.youtube.com/watch?v=0T7nYEb00vA&mode=related&search=

Man I love that kinda stuff.

Take a look at the images of Dagon in this post. Now read the description of the fish men who worship Dagon in Lovecraft's story. The story of Dagon will be reincarnated later in Lovecraft's "Call of Cthulhu".

Go read about Dagon on the internet, it's really interesting stuff. There's this amphibious guy who comes out of the water in the morning to teach ignorant humans and then he goes back into the sea at sundown. Later, more amphibious creatures like Dagon show up. And, there's the key again! Here's a couple interesting sites:
http://www.piney.com/His61.html
http://www.geocities.com/dominorus/oannes_2.html